Enhanced Illustration - Pencil, Pen, Paint and Pixels

Last week I was in London for a short course at Central Saint Martins. Part of the University of the Arts London, CSM is best known for its fashion department, having helped to prominence notable alumni such as Alexander McQueen, Sarah Burton, John Galliano, and Zac Posen (among many other notable fashion designers). But far from preferring the fashion department over all others, CSM has a huge variety of courses - and a truly excellent selection of short courses.

Tempted by several of their offers, I finally settled on a course titled "Enhanced Illustration - Pencil, Pen, Paint and Pixels". The course description promises to teach students to manipulate and combine hand-drawn elements in Photoshop, "all the while mantaining a personal, hand-crafted look to your resulting illustrations". As you'll have noticed from previous blog entries, I enjoy combining traditional and digital elements (the Japanese Tea Ceremony illustration comes to mind), but I booked this course when I hadn't yet started fiddling around with things much on my own, and had hoped to learn from this course the best methods to clean up a sketch and combine elements.

Now, I had learned a fair amount of this during my studies at the IADE Madrid, but I felt I was still lacking in professionalism. Unfortunately(?), in the months between booking the course and taking it, I played around a lot with Photoshop and my own drawings, finding that cleaning up my sketches tended to work better with ctrl+M (Curves) than fiddling with Brightness and Contrast, and that layering colors over lineart worked really well with a layer style called Multiply. (I spent quite some time playing around with all the layer styles to find out how they'd react - time well spent!) Imagine my dismay when the only Photoshop things the course really focused on were Brightness and Contrast, Hue/Saturation (ctrl+U), and Multiply! The rest was all taking scanned traditional elements and rearranging them in Photoshop.

So I didn't learn anything about Photoshop during the course - but I still found the course immensely interesting, and at times quite illuminating. The instructor, Bill Wright, was an excellent lecturer, bringing in videos, examples of previous students' work, and even other people to help and inspire us. While I didn't learn anything new about Photoshop, I learned about a professional illustrator's work, what different types of illustration there are, and tried out forms of illustration I had never tried previously - such as newspaper illustration.

For that project, we were each allowed to choose a newspaper article from a selection Bill brought along, and then had to present him with a concept before moving on to create a fitting illustration. He approved my concept for this tennis-themed article with little discussion, but gave me a lot of useful feedback during the process of creating the final illustration. The most valuable advice was to crop the image, zooming in and focusing on the action - and it really pulled it together. Before I cropped it, it looked something like this:

Still cute, but... nowhere near as good. (I also did away with the clouds.)

Then, there were all the other students. All female but for one lone male, we all came from different professions and walks of life, with people hailing from the UK, Germany, Chile, Jordan, and other countries. Twice during the week we printed out the work we'd done that far and gave each other feedback, saying what we thought turned out well and, sometimes, what we thought wasn't so great. For many pieces I found my tastes didn't quite match those of most others, but that made it quite interesting, actually.

I asked my two favorite artists there to let me share their projects on my blog, so check this out: Our first assignment was to take the concept 'kitchen' and draw objects, later assembling those into a colorful composition in Photoshop. Here's my end result, followed by the work of Dina Fawakhiri (from Jordan) and Bernardita Errázuriz (from Chile).

Sophie-Therese Lupas

Dina Fawakhiri

Bernardita Errázuriz

Aren't theirs gorgeous? Mine pales in comparison, though the image is refreshing when on its own. Dina and Bernie used such vibrant colors and powerful compositions - and I love the bold lineart.

They also gave me permission to post their final projects, for which we were to create at least two illustrations with a common theme and present them on the final day of the course. I chose to illustrate the hostel I was staying at (click on the images to see them bigger):

Dina did three beautiful illustrations with a theme of finding one's way to a woman's heart:

And Bernardita did a lovely collection of illustrations based on her family.

Lovely, aren't they? Thank you, Dina and Bernie, for letting me put them up here. And a reminder to everyone reading this: Just click on any photo (in the blog post) to see it bigger! The details are really worth looking at.

In conclusion, the trip to London decidedly was worth it! I hope the other participants feel that way, too.